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Born in Enfield in 1905, Eileen
moved at a young age to Harner Green in Hertfordshire. Soper was
a gifted child, encouraged in her art by her father George, an
artist himself. She developed her craft at a very young age, and
had her first exhibition at the Print Makers Society of
California in 1921. Queen Mary herself purchased one of Soper's
prints - Flying Swings. She also was the youngest artist
ever to exhibit her work at The Royal Academy in London - at the
ripe age of just 15. She moved primarily to illustrating during
the 1940's.
Eileen’s etchings concern
themselves with the ordinary events that make up a child’s
day, simple and perhaps monotonous to the adult but ever fresh
to the child themselves. The majority of her etchings deal with
children at play – on the beach, in country lanes and on
street corners – or with animals, as in The Linnets
Freedom
. Other plates show a sensitive approach to the solitary child
as in the captivation of a child listening to The Childrens
Hour
on the wireless. One of the reasons why she was able to depict
such honest images of children free from nostalgia was that she
was scarcely more than a child herself, producing most of the
etchings whilst she was in her teens or early 20s.
Eileen Soper illustrated about 50
Enid Blyton books including all 21 of The Famous Five series.
Apart
from her illustrations for other authors, Soper also wrote and
illustrated over twenty books of her own, chiefly nature series.
They include: Eileen Soper’s Book of Badgers, The Wildlife
Series (Routledge c.1965), When Badgers Wake, Wild
Encounters and Wild Favours (Routledge 1955, 1957 and
1963 respectively).
Soper helped to found The Society of Wildlife Artists, and was
also a member of The Royal Society of Miniature Painters.
She died in 1990.
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